The bass guitar  also known as electric bass   eharmony com dating service bass katy perry dating 2017 a stringed instrument similar in appearance and construction to an electric guitarexcept with a longer neck and scale lengthand four to six strings or courses.
The four-string bass is usually tuned the same as the double bass which corresponds to pitches nh online dating octave mesh dating site than the four lowest pitched strings of a guitar E, A, D, and G. It is played primarily with the fingers or thumb, by plucking, slappingpopping, strumming, tapping, thumping, or picking with a plectrumoften known as a pick.
The electric bass guitar has pickups and must be connected to an amplifier and speakerto be loud enough to compete with other instruments. Since the s, the bass guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. Many styles of music include the bass guitar, including rockheavy metalpoppunk rockcountryreggaegospelbluessymphonic rock, and jazz.
It is often a solo instrument in jazz, jazz fusionLatinfunkprogressive rock and other rock and metal styles. In the s, musician and inventor Paul Tutmarc of SeattleWashingtondeveloped the first electric string bass in its modern form, a fretted instrument designed to be played horizontally. The addition of frets enabled bassists to play in tune more easily than on fretless acoustic or electric upright basses. Around of these instruments were made during this period.
AroundTutmarc's son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. Heater Music Company wholesale jobber catalogue of However, the Tutmarc family inventions did not achieve market success.
In the s, Leo Fenderwith the help of his employee George Fullertondeveloped the first mass-produced electric bass guitar. Fender's Fender Precision Basswhich began production in Octoberbecame a widely copied industry standard for the instrument. The Dating gibson humbucking pickups Bass or "P-bass" evolved from a simple, un-contoured "slab" body design and a single coil pickup similar to that of a Telecasterto a contoured body design with beveled edges for comfort and a split single coil pickup.
The "Fender Bass" was a revolutionary new instrument for gigging musicians. In comparison with the large, heavy upright basswhich had been the main bass instrument in popular music, folk and country music from the early s to the s, the Fender bass could be easily transported to shows. The bass guitar was also less prone to unwanted feedback sounds when amplified, than acoustic bass instruments.
Infollowing Fender's lead, Gibson released the first short scale violin -shaped electric bass, with an extendable end pin so a bassist could play it upright or horizontally. Gibson renamed the Electric Bass in to the EB The EB-0 was very similar to a Gibson SG in appearance although the earliest examples have a slab-sided body shape closer to that of the double-cutaway Les Paul Special. Whereas Fender basses had pickups mounted in positions in between the base of the neck and the top of the bridge, many of Gibson's early basses featured one humbucking pickup mounted directly against the neck pocket.
The EB-3introduced inalso had a "mini-humbucker" at the bridge position. A number of other companies also began manufacturing bass guitars during the s: In Rickenbacker introduced the model bass,  the first bass to feature a neck-through-body design in which the neck is part of the body wood. The Fender and Gibson versions used bolt-on and glued-on necks. With the explosion of the popularity of rock music in the s, many more manufacturers began making electric basses, including the Japanese manufacturers YamahaTeisco and Guyatone.
First introduced inthe Fender Jazz Bass was known as the Deluxe Bass and was meant to accompany the Jazzmaster guitar. The Jazz Bass often referred to as a "J-bass" featured two single-coil pickups, one close to the bridge and one in the Precision bass' split coil pickup position. The earliest production basses had a 'stacked' volume and tone control for each pickup. This was soon changed to the familiar configuration of a volume control for each pickup, and a single, passive tone control.
Another visual difference that set the Jazz Bass apart from the Precision is its "offset-waist" body. Pickup shapes on electric basses are often referred to as "P" or "J" pickups in reference to the visual and electrical differences between the Precision Bass and Jazz Bass pickups.
In the when dating goes wrong and s, the instrument was often called the "Fender bass", due to Fender 's early dominance in the market. The Fender VIa baritone guitar, was tuned one octave lower than standard guitar tuning.
It was released inand was favored by Jack Bruce of Cream. InAlembic established the template for what became known as "boutique" or "high-end" electric bass guitars.
These expensive, custom-tailored instruments, as used by Phil LeshJack Casadyand Stanley Clarkefeatured unique designs, premium hand-finished wood bodies, and innovative construction techniques such as multi-laminate neck-through-body construction and graphite necks. Alembic also pioneered the use of onboard electronics for pre-amplification and equalization. Active electronics increase the output of the instrument, and allow more options for controlling tonal flexibility, giving the player the ability to amplify as well as to attenuate certain frequency ranges while improving the overall frequency response including more low-register and high-register sounds.
Basses with active electronics can include a preamplifier and knobs for boosting and cutting the low and high frequencies. The stereo bass was introduced in the late s; it can be heard on the Beatles' "I Am The Walrus. In the mids, Alembic and other boutique bass manufacturers, such as Tobiasproduced four-string and five-string basses with a low "B" string. In comparison with a standard four-string bass, Jackson's six-string adds a low B string and a high C string.
These 5 and 6-string " extended-range basses " would become popular with session bassists as they reduced the need for re-tuning to alternate detuned configurations like "drop D", and also allowed the bassist to play more notes from the same position on the fretboard with fewer shifts up and down the fingerboard, a crucial dating gibson humbucking pickups for a session player sightreading basslines at a recording session.
In the s, bass designers continued to explore new approaches. Ned Steinberger introduced a headless bass in and continued his innovations in the s, using graphite and other new materials and in introducing the TransTrem tremolo bar. InHans-Peter Wilfer founded Warwickto make a European bass, as the market at the time was dominated by Asian and American basses. In the late s, MTV's "Unplugged" show, which featured bands performing with acoustic instruments, helped to popularize hollow-bodied acoustic bass guitars amplified with piezoelectric pickups built into the bridge of the instrument.
During the s, as five-string basses became more widely available and more affordable, an increasing number of bassists in genres ranging from metal to gospel began using five-string instruments for added lower range—a low "B" string. As well, onboard battery-powered electronics such as preamplifiers and equalizer circuits, which were previously only available on expensive "boutique" instruments, became increasingly available on dating gibson humbucking pickups basses.
From to the s, some bass manufacturers included digital modelling circuits inside the instrument on more costly instruments to recreate tones and sounds from many models of basses e. A modelling bass can digitally emulate the tone and sound of many famous basses, ranging from a vintage Fender Precision to a Rickenbacker. However, as with the electric guitar, traditional "passive" bass designs, which include only pickups, tone and volume knobs without a preamp or other electronics remained popular.
Reissued versions of vintage instruments such as the Fender Precision Bass and Fender Jazz Bass remained popular amongst new instrument buyers up to the s. Ina 60th Anniversary P-bass was introduced by Fenderalong with the re-introduction of the short-scale Fender Jaguar Bass. Bass bodies are typically made of wood, although other materials such as graphite for example, some of the Steinberger designs and other lightweight composite materials have also been used.
While a wide variety of woods are suitable for use in the body, neck, and dating duncan bc of the bass guitar, the most common types of wood used are similar to those used for electric guitars; alderash or mahogany for the body, maple for the neck, and rosewood or ebony for the fretboard.
While these traditional standards are most common, for tonal or aesthetic reasons luthiers more commonly experiment with different tonewoods on basses than with electric guitars though this is changingand rarer woods like walnut and figured mapleas well as exotic woods like bubingawengekoaand purpleheartare often used as accent woods in the neck or on the face of mid- to high-priced production basses and on custom-made and boutique instruments.
Other design options include finishes, such as lacquer, wax and oil; flat and carved designs; luthier -produced custom-designed instruments; headless basses, which have tuning machines in the bridge of the instrument e. The use of artificial materials e. While most basses have solid bodies, they can also include hollow chambers to increase the resonance or reduce the weight of the instrument.
Some basses are built with entirely hollow bodies, which change the tone and resonance of the instrument. Acoustic bass guitars have a hollow wooden body constructed similarly to an acoustic guitarand are typically equipped with piezoelectric or magnetic pickups and amplified, dating gibson humbucking pickups. Instruments handmade by highly skilled luthiers are becoming increasingly available in the s.
Exotic materials in high-end instruments include woods such as bubingawengeovangkolebonyand goncalo alves. Some makers use graphite composite to make lightweight necks   More expensive basses often feature exotic woods. For example, Alembic uses cocobolo as a body or top layer material because of its attractive grain.
Warwick bass guitars are well known for exotic hardwoods, making most necks out of ovangkoland fingerboards from wenge or ebony. Some makers use solid bubinga bodies for their tonal and aesthetic qualities. A common feature of more expensive basses is "neck-through" construction. Instead of milling the body from a single piece of wood or "bookmatched" halves and then attaching the neck into a pocket so-called "bolt-on" designneck-through basses are constructed first by assembling the neck, which may comprise one, three, five or more layers of wood in vertical stripes, which are longer than the length of the fretboard.
To this elongated neck, the body is attached as two wings, which may also be made up of several layers. The entire bass is then milled and shaped. Neck-through construction advertisements claim this approach provides better sustain and a mellower tone than bolt-on neck construction. While neck-through construction is most common in handmade "boutique" basses, some models of mass-produced basses such my crush dating site Ibanez's BTB series also have neck-through construction.
Bolt-on neck construction does not necessarily imply a cheaply made instrument; virtually all traditional Fender designs still use bolt-on necks, including its high-end instruments costing thousands of dollars, and many boutique luthiers such as Sadowsky build anglican dating basses as well as neck-through instruments.
Jaclyn swedberg dating number of frets installed on a bass guitar neck may vary. The original Fender basses had 20 frets, and most bass guitars have between 20 and 24 frets or fret positions. Instruments with between 24 and 36 frets 2 and 3 octaves also exist.
Instruments with more frets are used by bassists who play bass solos, as more frets gives them additional upper range notes. When a bass has a large number of frets, such as a 36 fret instrument, the bass may have a deeper "cutaway" to enable the performer to reach the higher pitches.
Like electric guitarsfretted basses typically have markers on the fingerboard and on the side of the neck to assist the player in determining where notes and important harmonic points are.
The markers indicate the 3rd, 5th, 7th, 9th fret and 12th fret the 12th fret being the octave of the open string and on the octave-up equivalents of the 3rd fret and as many additional positions as an instrument has frets for.
Typically, one marker is on the 3rd, 5th, 7th and 9th fret positions and two markers on the 12th fret. Short scale instruments use the same E-A-D-G tuning as a regular long scale instrument. Short scale instruments are good choices for bassists with smaller hands, such as children or young teens who are just starting the instrument. This extra long scale provides a higher string tension, which may yield a more defined, deep tone on the low "B" string of five- and six-stringed instruments or detuned four-string basses.
Another design consideration for the bass is whether to use frets on the fingerboard. On a fretted bass, the metal frets divide the fingerboard into semitone divisions as on an electric guitar or acoustic guitar.
Fretless basses have a distinct sound, because the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard with the fingers, dating gibson humbucking pickups, as with the double bass. The string buzzes against the wood and is somewhat muted because the sounding portion of the string is in direct contact with the flesh of the player's finger. The fretless bass lets players use expressive approaches such as glissando sliding up or down in pitch, with all of the pitches in between soundingand vibrato in which the player rocks a finger that is stopping a string to oscillate the pitch slightly.
Fretless players can also play microtonesor temperaments other than equal temperamentsuch as just intonation. Some bassists alternate between fretted and fretless basses in performances, according to the type of material or tunes they are performing, dating gibson humbucking pickups, e.
AroundRick Danko from The Band began to use an Ampeg fretless, which he modified with Fender pickups—as heard on the Cahoots studio album and the Speed dating events cincinnati of Ages album recorded live in Tapewound double bass type and flatwound dating gibson humbucking pickups are sometimes used with the fretless bass so the metal string windings do not wear down the fingerboard.
Tapewound and flatwound strings have a distinctive tone russian dating guide sound.
See the updates in the collection section. Please open one picture at a time clicking on name - new arrivals are in red. Figured ash body, two-tone sunburst finish, maple neck and bakelite parts. The body is dated March , has a very deep contour which makes it light and comfortable. The original finish has lots of checking and wear on both sides, showing the beautiful figure in the wood. The neck, dated May '56, still has the "clubby" pre-V shape typical of '55; it has some wear and original nut and frets.
The Spaghetti logo on the headstock is in great shape, and next to the original round string-retainer there is another hole, professionally plugged and touched-up, from some mysterious "thing" once screwed to the headstock; whatever it was, it's out of the strings line, in a position which makes meaningless another string-retainer, so I have no explaination for it.
The original tuners are still stamped Pat. The black-bottom pickups fixed to the single-ply pickguard have the original bakelite covers, two of which are broken from playing wear. Also the tone and volume knobs and the trem-arm and switch tips are made of bakelite. The original circuitry shows potentiometers date February '56, paper capacitor, intact solder-joints, three way CRL selector switch and Switchcraft jack-socket.
The fingerboard shows some wear, but the frets are still in decent condition with lots of room for bending and a nice and easy action. The sound is great, hot and well-balanced, with the right amount of grit you'll expect from a '50s maple-neck Strat. This exceptional guitar comes with its beautiful tweed hardshell case, strong and original, with all of its latches and hinges perfectly working.
Another wonderful Pre-CBS Strat, with an incredible flamed maple neck with brazilian rosewood board and clay dots. Neck date is September , pots date is 28th week of ' This guitar, besides its striking beauty and great sound, has some transitional peculiarities: This white plastic guard is surely original and a bit warped but still in good shape, with the usual crack next to the neck pickup screws. All the other plastic parts are also original and in good shape.
Gorgeous sunburst finish in excellent condition, just some belt-buckle wear and fading of the red beneath the right arm, and a few scratches and dings on the body edges all shown in pictures , but I'd conservatively rate this guitar's condition as an Excellent plus.
All the hardware is original, with some rust on the bridge saddles. The Klusons are in excellent working order and look great, no hidden flaws or holes whatsoever. Probably the guitar has been refretted and the nut has been replaced. The three-way switch currently installed is new but with the old original tip , but the original one is in the case, it's broken and I don't know if it can be fixed - but I think it's not impossible.
The body is made of light alder, deeply contoured. The flamed neck makes this old Strat really special. Not only it looks great, but it also has easy action and playability and a very comfortable profile. All the pickups work great and the guitar has the sound that gives pre-CBS Strats their legendary status.
Original Fender case in black tolex, correct for the year but probably made for a Jazzmaster it's slightly larger and with a square-sized pocket. Neck date October 72, pots date 46th week of '71, grey bottom 'staggered' pickups dated Light alder body, three-bolt and 'tilt-neck adjustment' maple neck, large headstock with black logo.
Black is one of the most sought-after custom colors, since Jimi Hendrix often used black Strats with large headstocks. The finish is original and in good conditions, with some checking and heavy wear on the back, which goes down to the wood.
The body front is very clean. All the parts are original: Custom color's rarity, light weight and sound make of this guitar a winner. Excellent action, smooth and easy maple fretboard with frets in good condition.
Pickups have a loud output and are well balanced, and give the guitar a hot and clear sound. Bridge and spring covers are missing. The guitar comes with its original black tolex hardshell case with Fender logo.
A super clean example of a lates Stratocaster in exceptionally fine conditions. Figured-ash body with brown sunburst finish and maple neck with rosewood fingerboard and skunk-stripe on the back. Black plastic parts, typical of the period.
The guitar is completely original. It has a serial number and the grey-bottom pickups are dated and , so the instrument must have been shipped early in No other date is visible, neither on the neck base the stamp has faded and can't be read anymore nor on the potentiometers the date is hidden by the solder-joints.
This Strat has all-original hardware and circuitry features, with three-bolts neckplate, tilt-neck adjustment, "F" tuners, truss-rod "bullet" on the front of the headstock, etc. Very nice look, the body has a beautiful finish and wood-grain. The weight is acceptable if compared to other ash-bodied Strats from the same era. Smooth action, frets and fretboard are in excellent shape. The guitar comes with its original hardshell case, which in perfect conditions as well.
This style reissue has a very nice rosewood board over a lightly figured maple-neck. Neck date is Jan 27th and pots are dated 26th week of ' So it comes from the early months of the second year of production and has all the most desirable features. The guitar is exceptionally light, thanks to a very deep and accurately shaped contour, one of the features that have made these instruments gain the "legend" status among collectors and players alike.
We'll let the pictures speak: The Lake Placid Blue finish is in exceptionally fine conditions, unfaded, the only flaw being a tiny nick on the top, less than one millimeter wide.
Very nice neck-feel and low action, frets are almost new and sound is great. This super clean Fullerton Strat comes with its original tweed hardshell case, a little worn on the top, complete with its key. The guitar still has all its covers, vibrato arm and even the original Fullerton, California instruction manual.
The figured-ash body is finished in the classic "butterscotch" color, which shows only minimal traces of wear, mostly on the back. The neck is made of solid maple and has original frets and nut with almost no wear. Not too heavy, great sound and easy action. The guitar comes from the earliest Fullerton era: Schultz reports April 14th as official production date.
Among the other papers and case candys, you'll find also the optional 6-saddle bridge offered as a replacement for the old-style 3-saddle unit, the warranty card, the case keys and the hex-keys for the guitar's adjustments It's really rare to find such guitars complete with all this stuff. A great find, an affordable Tele for the real musician and discerning collector, a solid investment and a terrific player. Among Gibson guitars, the L boasts a long history, with the same model's name given to radically different instruments for both typology and construction: The headstock shows the silkscreened "banner logo" typical of the period, with the " Only a Gibson is Good Enough " motto.
War-time guitars are often characterized by features imposed more by the hard times than by marketing or construction choices, so they often show unusual solutions - and not necessarily negative ones.
This L still has the correct metal trapeze tailpiece, without the wooden cross-bar usually found on war-time models due to metal shortage, but what's more surprising is the high-quality wood used for the back of the body. The heavily flamed maple, although not carefully "bookmatched", is stunning. At the same time, the total width of the two halves was not enough to reach the 16" of the body, so we see two more stripes of maple added at both sides of the lower bout.
Yes, we'd never see that on an L-5, an L-7 or any other professional-grade instrument, but such solution must have been considered good enough for a "war-time" L Another "cheaper" solution which differs from the higher-grade Gibson archtops is the neck-body joint: The guitars of this intermediate-grade have no serial number, so we can tell the year of production by its specs, such as the logo. Through the f-hole we can see the ink-written name of the original owner, a H.
Such detail reveals that the latter, although originally produced for a Vega archtop, has always been with this guitar since it first left the shop. All the hardware is original, from the tortoise-plastic pickguard to the riveted-rod individual Kluson tuners, to the pre-compensated rosewood bridge.
The finish is completely original, with a beautiful sunburst on the top and darker back, sides and neck. It's in great shape, with lots of nice checking and a few traces of playing wear. This guitar sounds really great, and can proudly stand any competition against a top-of-the-line archtop.
Beautiful fretboard, perfect intonation and easy action. Sound, playability, beauty and rarity make of this L a cheaper but classy alternative to the more expensive Gibson archtops. It comes with a certificate of originality signed by George Gruhn, who has personally inspected he guitar in The Gold-Top 30th Anniversary belongs to an interesting page of Gibson's history: The new Limited Editions such as the Heritage 80 or this gold-top version were all equipped with the humbuckers designed by Tim Shaw, great-sounding units that have already reached the status of "classics".
By the way, it should be pointed out that, although online-forums and online-"experts" often call "Shaw" every Gibson humbucker built in the early '80s, the only REAL "Shaws" are the ones with the numbers neck pickup and bridge stamped on their back, with other numbers identifying year and month. Each and every Heritage 80 and 30th Anniversary we have had in our hands feature such pickup stamps, since august In this guitar, a december '82 date is stamped on the pickups, and a date is also shown on the potentiometers, which are original like all the parts of the electric circuitry.
This Les Paul screams "classic" also in its construcion: Like the pickups, also the hardware is more '57 than 'inspired, with the typical stop-bar and ABR tune-o-matic bridge.
This choice led to a very successful model, which inspite of its rarity, today is highly regarded by collectors and players alike, for its great sound, classic look and exceptional playability. The serial number's code for the model differs from the regular poduction line, starting with a letter which identifies the year: It comes with a nice, tweed-covered hardshell case, not the original but a very good one.
First, a laminated spruce top instead of the usually-seen maple. Laminated five-piece neck maple and prob. The body is made of highly flamed maple, absolutely gorgeous.
FEATURE vintage guitar Info articles: The following articles are on some subject relating to vintage guitars, and currently are not published anywhere else (though I am trying to get them published). Rare Guitars - part of my Collection: Gibson Flying V Custom-so fabulous to play:Guild SA-D a real rocker-supposedly once owned by Dave Hill of Slade Hamer Studio Mint Unplayed-two Seymour Duncan '59 pickups. Argus des guitares, GIBSON cotes d'occasion. / Blue Ridge: Dreadnought purple wood plaqued black pickg: second hand.
Farmer FEATURE vintage guitar Info articles: The following articles are on some subject relating to vintage guitars, and currently are not published anywhere else (though I am trying to get them published). The main pickup types are listed out below with approximate dates of factory fitting: c to c CHROME SINGLE COIL PICKUPS (MADE BY FUMA).